- 1968 - what to cherish and what to discard
- 1968, the view from outside London - Swansea!
- Artistic Modernism as Reply to Mass Media
- Credit Crunch, Food Riots and the New Capitalist Crisis
- May 1968
- Short Story Writing
- Stopping the War in 1968 and 2008
- The Bishop, the Beatniks and Free Derry Wall
- Films
- All Talks
Talk
Working-Class Power: What is really worth remembering about May 68 - a talk by Ian Birchall
Submitted by Andrew on Sun, 06/01/2008 - 21:37.Room:
Small HallTime:
7pmWhat is worth remembering of 1968. Most of what is said about 1968 tends to focus on students, posters, graffiti, situationism etc.
Art and Politics 1968 then and now a talk by John Molyneux
Submitted by Andrew on Thu, 03/01/2008 - 15:00.Room:
Artists RoomTime:
1pmJohn Molyneux is senior lecturer at the School of Art, Design and Media at Portsmouth University.
Turkey in 1968 from Student Activism to Armed Struggle [and its failure] Dr Ronnie Margolis
Submitted by Andrew on Sun, 30/12/2007 - 21:00.Room:
Tower Room 3Time:
3pmRonnie Margolis has been a revolutionary socialist active in Britain and Turkey for more than 30 years. He will examine the impact of the ideas of May 1968 on militants in Turkey
Italy 1967-1969 a talk by Dr Toby Abse
Submitted by Andrew on Sat, 22/12/2007 - 15:43.Room:
Tower Room 2Time:
1pm
The student struggles in France in May 1968 were prefigured by those in Italy in 1967. Toby Abse will discuss those and the impact of 1968 on the 'hot autumn' of 1969 in Italy.
Art and Revolution: the legacy of May 1968
Submitted by Andrew on Wed, 05/09/2007 - 13:19.Room:
LibraryTime:
12pmWhy left artists should oppose the 'Young Brits': although Emin and Hirst claim to be the new avant-garde their work reflects their incorporation into the ideology of the ruling elite and its art comm
Dada, Surrealism and their Influence on the Situationist International - a talk by Malcolm Hopkins
Submitted by Andrew on Wed, 05/09/2007 - 12:29.Room:
Bertrand Russell RoomTime:
11amThe influence of the Situationist was not confined to the streets of Paris. Their influence can be seen in the works of King Mob in England and Black Mask in the USA.
